U. | Screening: Abstract Aesthetics

Video art
  • Thu 19.May @ 13:00 - 5/6/16 14:00
  • Sat 21.May @ 12:00 - 5/6/16 13:00
  • Sun 22.May @ 11:00 - 5/6/16 12:00
Screening room | Main venue

U. is a piece that integrates particular systems along 3D spatial compositions and illumination into a continuous, cyclical and reversible format. It may be played indefinitely, both forwards and backwards. There is such a thing as an instant expanded into the time of the eternal. It is born as soon time itself dies. Indistinguishable in its beginning or ending, U. shows an Earth suspended inside a total limbo. That in which nuclear fission and fusion turn time, cosmos, energy and matter. That in which they do so into absolute love, cloud, omna and nil.

Duration: 4:40 min

ARTISTS


Adrián Regnier Chavez (MX)

Adrián Regnier Chavez (Mexico, 1989) has a degree in Visual Arts at the National School of Sculpture, Painting and Engraving, “La Esmeralda”. He has been awarded several grants, such as the Artist in Residence at Casa de Velázquez (Spain, 2016), the Young Creators Grant, by National Fund for Culture and the Arts (FONCA, México 2013-2014), and the 2014 Grants and Commissions Program, by the Cisneros Fontanales Art Foundation (CIFO, U.S.A., 2013-2014). He has had solo shows at Museo de Arte Carrillo Gil (Habrán Más Cosas Buenas En Las Más Cosas Buenas Que Habrán, 2015) and the University Museum Leopoldo Flores (Habrán Unas Idas, Luego Unas Salidas, 2015). He won first place in the International Electronic and Media Art Festival TRANSITIO MX 6, as well as editions X and XII of the National Experimental Video Contest in 2012 and 2014, as well as international animation festival Animasivo 8, and international video art biennialles VideoBabel 2013 and Pantalla Global. His work is part of collections such as CIFO, the Museum of Contemporary Art in Casoria and Protovecka Foundation. Adrián’s work has been selected, screened and awarded in more than 50 festivals and competitions of video art, film, animation and contemporary art.

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